Awards like these and the Order of the Red Banner of Labour recognize Tsultem’s scholarship and curatorial work as critical contributions to the field of Asian art history, a field dominated by Chinese, Japanese, and Indian art. Encouraging museum curators and gallery owners to recognize the value of art from a little-known country like Mongolia has been an uphill battle, Tsultem says. Major exhibitions that focus on Mongolian art are few and far between in the United States, so Tsultem sees it as her mission to ensure that artists from Mongolia receive the attention they deserve through both her academic career and in her work as a curator.

Her recent shows include Mongol Zurag: The Art of Resistance at the 2024 Venice Biennale and Mongol Zurag: The Art of Everyday at SAPAR Contemporary in New York. The Galleries at Herron also benefit from Tsultem’s tireless efforts to promote Mongolian art with shows like Separated Geography from a Poem, an exhibition of Mongolian artist Tuguldur Yondonjamts’ work.

Tsultem doesn’t plan to rest on her many laurels and looks forward to the completion of her monograph on contemporary art. She is also planning an upcoming exhibition of Mongolian artists at Herron, ensuring that she continues to fulfill her life-long goal to give Mongolian artists “as much of a voice as I can.”